leradny:

sexyferret:

There are a lot of Harry Potter theories that have existed in the series’ fandom, such as Snape being a vampire or Sirius and Remus being secret lovers. Many of these theories have been contradicted by the books themselves, and others seem to have little evidence supporting them in canon.

One such theory, however, bears notice. Draco Malfoy is an annoying antagonist throughout all seven Harry Potter books, but noticeably less so in the sixth and seventh. Presumably, he stops his sophomoric pranks as a consequence of his highly stressful year-long assignment to play a key role in the assassination of Albus Dumbledore.

However, there may be an even more powerful reason for the trajectory of Draco’s character development in these latter books. This is that between the fifth and sixth books, directly after Lucius Malfoy has failed to retrieve the prophecy, Voldemort allows Fenrir Greyback to bite his son, Draco.

We’ve gone back through the 6th and 7th books, and compiled some of the most convincing evidence below:

Draco is not a Death Eater
At the beginning of the 6th book when Harry is hiding in Borgin and Burkes, Draco threatens Borgin, and shows him something on his arm. Harry thinks the thing on Draco’s arm is a Dark Mark, but we never see this.
Harry always immediately assumes things and they turn out to be false. If Harry wakes up in the middle of the night months later it is usually right, or if he talks about it with Hermione and Hermione gets it, then it’s right. Hermione doesn’t think Draco is a Death Eater, so he probably isn’t.
Another reason Draco probably doesn’t have a Dark Mark is that at the end of the sixth book there is a barrier to the Astronomy Tower that you can only pass through if you have a Dark Mark. This barrier goes up immediately after Draco goes up to the tower, and comes down just before he goes down.
Additionally, Draco is never treated as a Death Eater (and there is no reason for Voldemort to give Draco a Dark Mark).
So what is he?
One ongoing arc in the 6th book is that Draco is sickly and stressed out. This is supposedly because of his quest, but Rowling does this misdirection a lot.
Fenrir Greyback is introduced as a character who specifically punishes people who’ve messed up by biting their children. Remus Lupin is explicitly mentioned as an example of this. Why set this up if not to use it later?
Relatedly, Lucius’s demonstrated punishments do not seem severe enough for his transgressions at the end of the 5th book, by the standards we are supposed to expect from Voldemort by this point in the series. It is also important to keep in mind that Lucius also mishandled Riddle’s Diary, resulting in the destruction of one seventh of Voldemort’s soul. It is likely that Lucius’s additional punishment was unspeakably terrible.
Voldemort says, “Maybe you can babysit the cubs,” to Draco when the Death Eaters find out that Remus and Tonks are having a baby. This is a throwaway if he is not a werewolf.
For us, the nail in the coffin is that, while showing Borgin the mark on his arm, Draco says that Fenrir Greyback is a close personal friend and he’d hate for him to have a to pay a visit.
And if the thing on Draco’s arm in Borgin & Burkes’ was not a Dark Mark (which it’s not), what else could he have possibly shown Borgin to make him so frightened?
Finally, Rowling has said in an interview that one scene in the third movie, there was a moment that foreshadowed something she knew was coming that gave her chills. In that movie, Draco impersonates a werewolf and does a wolf howl.
This also works for the arc for the flipping of the Malfoy family, who take care of themselves instead of following Voldemort. It makes more sense for them to throw away decades of servitude if one of them has been turned into a half-blood, making them idealogically incompatible with Voldemort’s pure-blood regime.
So why hide it?
There is precedent for J.K. Rowling revealing only the tip of the iceberg in some of her characterizations. For example, Rowling was originally going to write a whole arc about Dean Thomas’s family, but instead she focused on Neville. Additionally, Dumbledore’s love of Grindelwald is never addressed during any of the books, and was only revealed by J.K. Rowling during a Q&A after all the books had been published. There are likely many other elements of the story that have been left behind the scenes for one reason or another. It may be entirely possible that Draco’s reveal was planned for the seventh book, for example, but got cut for pages.
Rowling has new content being released by book, and could be saving this to reveal on Pottermore for the seventh book.
One reason this would be really cool: 
It makes Draco’s relationship with Snape even more interesting if Draco is relying on him for Wolfsbane potion.

Read more Harry Potter theories here

this is some illuminati shit right here AND I LOVE IT

say-it-somehow:

stormageddon-owens:

#I sold your parents out to voldemort #no wait #wrong movie

NEVER NOT FUNNY

theycallmethemoose:

fuckyeahprettybooks:

I am sorry for the non-book related post but its been 10 minutes and I am still laughing.

This is what Bella’s reaction should have been.

listen-here-youlittleshit:

sassy mcpotter

courtneygodbey:

“Luna had decorated her bedroom ceiling with five beautifully painted faces: Harry, Ron, Hermione, Ginny, and Neville. They were not moving as the portraits at Hogwarts moved, but there was a certain magic about them all the same; Harry thought they breathed. What appeared to be fine golden chains wove around the pictures, linking them together, but after examining them for a minute or so, Harry realized that the chains were actually one word, repeated a thousand times in golden ink: friends…friends…friends…friends… Harry felt a great rush of affection for Luna” — Harry Potter and the Deathly Hallows

the-padfoots:

Rejoice, for You-Know-Who has gone at last! Even Muggles like yourself should be celebrating, this happy, happy day.

splickedylit:

lilfierydove:

HARRY POTTER FANS WATCH THIS 

HOLY SHIT IT IS VERY VERY VERY VERY COOL

Oh my gosh this is legit one of the coolest things I’ve ever seen in my life!  This is SO COOL, seriously just click on it, oh my gosh. This is how I imagined wizard duels I actually like this better than the duels in the movie because there are spells that actually do things other than make stuff explode.  If I didn’t know better I would have thought that this was professionally made, WOW. <3

dailypotter:

honorary-winchester-boy:

acciobenedictcumberbatch:

lupinatic:

here-is-the-place:

When people say these books are children’s books, as if to demean them, I balk. These books dealt with themes that adults do not fully understand or wish to. It dealt with racism, classism, sexism, homophobia, prejudice, and general ignorance. These books taught us that it doesn’t matter how you were raised, but that you get to choose to be kind, loyal, brave, and true. They taught us to be strong under the pressures of this world and to hold fast to what we know to be right. These books taught me so much, they changed me as a person. So just because they’re set against a fantastical backdrop with young protagonists does not mean that their value is any less real.

This.

First book: Starts with the double murder of a pair of twenty-one year olds who were much missed and leaving their baby son a war orphan. A child growing up in abusive conditions that would give Cinderella the horrors. Dealing with peers and teachers who are bullies. The fickleness of fame (from the darling of Gryffindor to the outcast.) The idea that there are things worth fighting and dying for, spoken by the child protagonist. Three children promptly acting on that willingness to sacrifice their lives, and two of them getting injured doing so.

Second book: The equivalent of racism with the pro-pureblood attitude. Plot driven by an eleven year old girl being groomed and then used by a charming, handsome older male. The imbalance of power and resultant abuse inherent in slavery. Fraud perpetuated by stealing something very intimate.

Third book: The equivalent of ableism with a decent, kind and competant adult being considered less than human because he has an illness that adversely affects his behaviour at certain times. A justice system that is the opposite of just. Promises of removing an abused child from the abusive environment can’t always be kept. The innocent suffer while the guilty thrive.

Fouth book: More fickleness of fame. The privileged mistreating and undermining the underprivileged because they can. A master punishing a slave for his own misjudgment, and the slave blaming herself. A sports tournament which involves mortal risk being cheered by spectators. A wonderful young man being murdered simply because he was in the way. A young boy being tortured, humilated and nearly murdered.

Fifth book: PTSD in the teenage protagonist. Severe depression in the protagonist’s godfather, triggered by inherited mental health issues and being forced to stay in a house where abuse occured. A bigoted tyrant who lives to crush everyone under her heel, torturing a teenager for telling the truth in the name of the government (and trying to suck his soul out too). The discovery that your idols can have feet of clay after all. An effort to save the life of someone dear and precious actually costing that very same life. The loss of a father-figure and the resultant guilt.

Sixth book: The idea that a soul can be broken beyond repair. Drugs with the potential for date rape are shown as having achieved exactly that in at least one case, resulting in a pregnancy. Well-meaning chauvinism trying to control the love life of a young woman. Internalised prejuidce resulting in refusing the one you love, not out of lack of love but out of fear of tainting them. The mortality of those that seem powerful and larger than life.

Seventh book: Bad situations can get worse, to the point where even the privileged end up suffering and afraid. More internalised prejudice and fear hysterical terror of tainting those you love. Self-sacrifice and the loss of loved ones, EVERYWHERE. Those who are bitter are often so with a reason. The necessity of defeating your inner demons, even though it’s never as cool as it sounds. Don’t underestimate those that are enslaved. Other people’s culture isn’t always like your own. Things often come full circle (war ending with the death of a dearly-loved pair of new parents and their orphaned baby son living with his dead mother’s blood relative instead of his young godfather). Even if ‘all is well’ the world is still imperfect, because it’s full of us brilliant imperfect humans.
 
So… still think that Harry Potter is a kid’s series with no depth?